Thursday, November 3, 2011

Shorts

  • While grownups at Black Box Industries work to improve the handheld gizmo that s this year s high-tech must-have, neighborhood kid Toby Toe Thompson has something even better: he s found the Wishing Rock. Be careful what you wish for, Toe! Spy Kids filmmaker Robert Rodriguez hatches a fun-filled story of the chaos that erupts when folks young and old get their hands on the rainbow-striped stone. H
It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Ri! chter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!


Specs: Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround
Language: Dubbed & Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features: **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer
**Introduction to Film with Ashley Tisdale
**! The Ashl ey Encounters
**Deleted Scenes
**Gag Reel
**Behind the Zirkonians
**Meet The Zirkonians

**Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit
Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in ! search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that i! t's OK to be smart. Aliens in the Attic is kind of li! ke watch ing someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)


 

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from t! heir parents! Featuring an all-star cast including Ashley Tisd! ale, And y Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!


Specs: Audio: English: 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital
Language: Dubbed & Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features: Disc 1: Widescreen Theatrical Feature Film

**Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice! Age 3, Night At The Museum 2, Post Grad, Fame

**Introduction to Film with Ashley Tisdale
**The Ashley Encounters
**Alternate Ending
**Deleted Scenes
**Gag Reel
**Behind the Zirkonians
**Meet the Zirkonians
**Lights, Camera, Aliens!
**Kung Fu Grandma
**Brian Anthony "Electricity" Music Video
**Fox Movie Channel Presents Life After Film School with Barry Josephson

Disc 2: Digital Copy
Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of atti! tude, clash like oil and water, and Bethany (Ashley Tisdale) a! nd her d evious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplishe! d Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)


 

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in th! e extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the! world. What ensues is an action-packed battle in which the ki! ds try t o outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 ! and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)


 

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a devic! e that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but ! the experience just isn't as stimulating as when you're the on! e behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)


 

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), d! on't make the situation any easier. Add in three younger sibli! ngs and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce! that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)


 

SHORTS - DVD MovieA fantastical story, relayed in the form of short vignettes by director Robert Rodriguez, Shorts is the story of a magic wishing rock and kids' imaginations gone wild. The film plays a lot like the The Little Rascals (Our Gang) films from the 1920's-1940's: it's made up of short, comical epis! odes that focus on kids adventures and how imagination drives their play. When a magical rainbow rock falls from the sky and lands in the middle of tech-town Black Falls, a young boy Toe (Jimmy Bennett) discovers that the rock has the power to grant his every wish. The victim of constant bullying, Toe wishes for friends as unusual as himself and ends up with a posse of aliens who protect him while seriously complicating his life. As narrator, Toby quickly stops the film, explaining that his experience is really the middle of the story, and then rewinds repeatedly to relate various encounters between neighborhood kids and the magic rock. Each short is its own journey into a kid's imagination where wishes for everything from a treasure hunt, to a fortress guarded by crocodiles, a super smart baby with telepathic powers, and a booger monster grown from one boy's booger are immediately granted. These fantastical wishes wreak havoc on the entire Black Falls community: the child! ren, the technology obsessed, disconnected Black Box employees! , and th e tyrannical Black Box boss Mr. Black (James Spader). In the end, the magic rock is a catalyst for change, encouraging kids and adults to work together and inspiring serious reflection regarding one's wishes, dreams, and goals. Rodriguez does a great job of portraying the wildness of kids' imaginations and viewers that delight in over-the-top ridiculousness and the overtly gross will laugh hysterically throughout the film. Unfortunately, those who demand restraint may find it overdone. (Ages 10 and older) --Tami Horiuchi

The Baby-Sitters Club #1: Kristy's Great Idea

  • ISBN13: 9780545174756
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off to a great start with the help of Claudia Kishi (vice-president), Mary Anne Spier (secretary), and Stacey McGill (treasurer).


Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the series was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary An! ne enjoys more solitary pursuits such as reading and needlewor! k. My fa vorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particularly fond of and why?

Martin: My favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written sh! ortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby! -sitting business. They are entrepreneurial, independent, crea! tive, an d confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to a new school â€" the junior high (this was in the time before middle schools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May! , New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relationship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could! unfold in the later books. The same applied to Stacey. Her re! asons fo r moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q:
Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have written to me and told me that I’ve made an impact on their lives, that The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I’ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entre! preneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There’s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!



The Greatest Story Ever Sold: The Decline and Fall of Truth from 9/11 to Katrina

  • Hardcover Politics
First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he take! s a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed! to American-style marketing. The film as a whole resembles a ! full-len gth version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of! meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-! style marketing. The film as a whole resembles a full-length v! ersion o f a Mad Men pitch meeting--but funnier. --Kathleen C. Fennessy

The fascinating tale of Kubrick’s unfilmed masterpiece

Now available in an unlimited, single-volume edition!

For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick’s "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nea! rly-obsessive quest to uncover every piece of information history had to offer about Napoleon. But alas, Kubrick’s movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion.

TASCHEN’s tribute to this unmade masterpiece makes Kubrick’s valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick’s final draft is reproduced in its entirety.

The text book features the complete original treatment, essays! examining the screenplay in historical and dramatic contexts! , an ess ay by Jean Tulard on Napoleon in cinema, and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema’s greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte.

*Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images*

New York Times columnist Frank Rich examines the trail of fictions manufactured by the Bush administration from 9/11 to Hurricane Katrina, exposing the most brilliant spin campaign ever waged.

When America was attacked on 9/11, its citizens almost unanimously rallied behind its new, untested president as he went to war. What they didn't know at the time was that the Bush administration's highest priority was not to ! vanquish Al Qaeda but to consolidate its own power at any cost. It was a mission that could be accomplished only by a propaganda presidency in which reality was steadily replaced by a scenario of the White House's own invention-and such was that scenario's devious brilliance that it fashioned a second war against an enemy that did not attack America on 9/11, intimidated the Democrats into incoherence and impotence, and turned a presidential election into an irrelevant referendum on macho imagery and same-sex marriage.

As only he can, acclaimed New York Times columnist Frank Rich delivers a step-by-step chronicle of how skillfully the White House built its house of cards and how the institutions that should have exposed these fictions, the mainstream news media, were too often left powerless by the administration's relentless attack machine, their own post-9/11 timidity, and an unending parade of self-inflicted scandals (typified by those at The New York Times). Dem! onstrating the candor and conviction that have made him one of! our mos t trusted and incisive public voices, Rich brilliantly and meticulously illuminates the White House's disturbing love affair with "truthiness," and the ways in which a bungled war, a seemingly obscure Washington leak, and a devastating hurricane at long last revealed the man-behind-the-curtain and the story that had so effectively been sold to the nation, as god-given patriotic fact.

Terror Beneath the Sea

  • Can legendary action hero Sonny Chiba (Kill Bill, Volume 1), save the planet from the ultimate destruction of the human race? The Navy s test of a new torpedo for a group of journalists ends abruptly when a strange creature swims into view. Reporters Ken (Chiba) and Jenny (Peggy Neal) sense something sinister and decide to investigate. Unbeknownst to them, an evil scientist is busily creating a
A dark road, a sleepy driver, a motel looming out of the night. Writer-director Chad Feehan takes those classic thriller elements and weaves a disturbing and compelling tale of love and the nightmare grip of ghosts from our past. Josh Stewart ("The Curious Case of Benjamin Button") and Jamie-Lynn Sigler ("The Sopranos") deliver intense performances as a young couple who take refuge in a roadside motel. Soon, the couple has crossed paths with a mysterious desk clerk and his sultry blond wife, as well as! a stranger who is somehow privy to their most closely guarded secrets. Like a love story by way of "The Twilight Zone," "Beneath the Dark" touches your heart even as it chills your blood.Director and co-writer Federico Zampaglione's terrifying film recalls Sam Peckinpah's ferocious "Straw Dogs" and Tobe Hooper's horror classic "The Texas Chainsaw Massacre," yet it feels as immediate as today's headlines. Jake Muxworthy plays a young soldier who embarks on a mountain-biking trip, walks into a cafe and meets the love of his life (Karina Testa). Unfortunately, he also meets a pair of violent hunters who make him their prey after he defends the young woman from their sleazy advances. But what appears at first to be a vicious cat-and-mouse game set in treacherous terrain turns into a full-blown nightmare when these adversaries become the captives of a mountain dweller whose depraved plans for them soon become all too apparent. Both a relentless horror film and a searing account! of the brutal after-effects of war, "Shadow" is a scream-indu! cing des cent into an abyss of unspeakable terror.TERROR BENEATH THE SEA - DVD Movie

Wacoal Women's Front Close T-Back, Toast, 38D

  • Body: 76% supplex nylon, 24% lycra spandex; Mesh: 100% nylon
  • Barrel front close and stylized t-back.
  • T-back prevents straps from slipping off of shoulders
  • Hand wash warm, hang dry
  • Made in Dominican Republic
Seamless T-back bra, Non-adjustable, sliding bar front closure. Sheer, stretch nylon, Unlined, underwire, molded cups. Delicate mesh on front straps Wacoal, Style Number: 65124.

Oh My Open Tip Bra (D/DD cup), 38 D/DD, WHITE

  • To order the regular size order item 10-40007
  • Made in the USA
Set your breasts free in our divine open tip bra designed especially for fuller bustlines. It starts with high lustre embroidery-look lace fashioned into 3-sectioned cups with a very unique feature....the nipple area has been cut out and trimmed with lace edging to allow YOU to peep out for a NO BRA look under clothes.. The underwires plus the firm construction urges even saggy bustlines UP into a new perky silhouette. The rigid double spaghetti straps transition to elastic when they go over the shoulder. The combination provides the best lift possible. Light boning at the sides helps to hold you beautifully in place. To order the regular size order item 10-40007

JUST A CHEAP SHIRT Men's Casual Chino Pant, Dark Brown, 34

  • Casual Pants
  • Cotton
Mens Chino Pants

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free