Tuesday, November 8, 2011

Collateral Damage [Blu-ray]

  • Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe
Vincent is a cool calculating contract killer at the top of his game. Max is a cabbie with big dreams looking for his next fare. This fateful night max will transport vincent on his next mission - one night 5 stops 5 hits & a perfect getaway. Together they find themselves in a non-stop race against time. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Tom Cruise Jada Picket Smith Run time: 120 minutes Rating: RCollateral offers a change of pace for Tom Cruise as a ruthl! ess contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and ! Mann directs with the confidence of a master, turning L.A. int! o a thir d major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCOLLATERAL - Blu-Ray MovieCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While S! tuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller.! It's from Michael Mann, after all, and the director's stellar! track r ecord with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division)! . Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the! aid of the villain's seemingly trustworthy wife (Francesca Ne! ri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in err! or. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough.Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precog! s" capable (due to drug-related mutation) of envisioning murde! rs befor e they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for comfort. --Jeff Shannon

Stills from Minority Report (Click for larger image)











Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los A! ngeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

The Last Song

  • LAST SONG (DVD MOVIE)
DEAR JOHN - DVD MovieDear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks happen, and John is torn between love ! for Savannah and duty to country. Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)











When Savannah Lynn Curtis comes into his life, John Tyree knows he is ready to turn over a new leaf. An angry rebel, he had enlisted in the army after high school, not knowing what else to do. Then, during a furlough, he meets the girl of his dreams. Savannah Lynn Curtis is attending college in North Carolina, working for Habitat for Humanity, and totally unprepared for the passionate attraction she feels for John Tyree.The attraction is mutual and quickly grows into the kind of love that leaves Savannah vowing to wait for John while he finishes his tour of duty, and John realizing that he's ready to settle down with the young woman who has captured his heart.Neither can foresee that 9/11 is about to change the world and will! force John to risk every hope and dream that he's ever had.Li! ke so ma ny proud men and women, John must choose between love and country. And like all those left behind, Savannah must decide to wait or move on. How do we choose wisely? How can we face loss-without giving up on love? Now, when he finally returns to North Carolina, John will discover that loving Savannah will force him to make the hardest decision of his life. An extraordinary, moving story, DEAR JOHN explores the complexities of love-how it survives time and heartbreak, and how it transforms us forever.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation fi! nds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love--and face the hardest decision of his life.

Go Behind the Scenes of the Motion Picture Dear John (Sony Pictures, 2010)
Starring Amanda Seyfried and Channing Tatum

(Click on each image below to see a larger view)

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Studio: Sony Pictures Home Ent Release Date: 05/25/2010 Run time: 109 minutes Rating: Pg13Dear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks ! happen, and John is torn between love for Savannah and duty to! country . Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)










Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Miley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows Ronnie (Cyrus) and her estranged father as he tries to restore the loving relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with the actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt! story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic secret, and in the end, music helps Ronnie open her heart and heal. Cyrus gives a predictable performance as the all-a! ttitude Ronnie, but she's helped along by Coleman's cute-littl! e-brothe r shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

Bonjour L'Enfant!: A Child's Tour of France (French Edition)

  • ISBN13: 9781425965211
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
Enjoy a tour of France through a child's scrapbook. Follow a young boy, his little sister and his beloved teddy bear on their playful journey around the country. They discover similarities and differences between France and home while singing along the Seine River, climbing the Eiffel Tower, running through lavendar fields, eating pomme frites and sun bathing on the French Riviera. The brilliant watercolor illustrations capture the attention of the reader, while the story introduces exciting new places and over fifty French words.

City Slickers [VHS]

  • Condition: Used - Good
Comic genius Billy Crystal (When Harry Met Sally) stars in this hilarious film about cowboys, careers and mid-life crises. Co-starring Daniel Stern, Bruno Kirby and Jack Palance in an Academy AwardÂ(r)-winning* role, City Slickers is "the rowdiest western jokefest since Blazing Saddles" (Rolling Stone). It'll rope you in...and keep you laughing from first frameto last! New Yorker Mitch Robbins (Crystal) is 39 and miserable. He's tired of his job andbored with his life. And his two best friends Ed, (Kirby) and Phil (Stern), aren't doing much better. So when they all decide to chase their troubles away with a fantasy vacation, Mitch and his pals trade their briefcases for saddlebags and set out to find freedom and adventure herding cattle underthe wide New Mexico sky. But what they discover instead is scorching sun, sore backsides...and moreinsight into themselvesand ea! ch otherthan they ever thought possible! *1991: Supporting ActorThree middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh Comic genius Billy Crystal (When Harry Met Sally) stars in this hilarious film about cowboys, careers and mid-life crises. Co-starring Daniel Stern, Bruno Kirby and Jack Pala! nce in an Academy AwardÂ(r)-winning* role, City Slickers is "! the rowd iest western jokefest since Blazing Saddles" (Rolling Stone). It'll rope you in... and keep you laughing from first frame to last! New Yorker Mitch Robbins (Crystal) is 39 and miserable. He's tired of his job and bored with his life. And his two best friends Ed, (Kirby) and Phil (Stern), aren't doing much better. So when they all decide to chase their troubles away with a fantasy vacation, Mitch and his pals trade their briefcases for saddle bags and set out to find freedom and adventure herding cattle under the wide New Mexico sky. But what they discover instead is scorching sun, sore backsides... and more insight into themselves and each other than they ever thought possible!Three middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urban! ites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh Urban cowboy Mitch Robbins, played by Billy Crystal, is at it again in this adventure-comedy film. After discovering a treasure map in the band of Curly's hat, he and his good pal Phil (Daniel Stern) and his mooching brother (Jon Lovitz) set out on an adventure to find the lost treasure. Jack Palance co-stars. Year: 1994 Director: Paul Weiland Starring: Billy Crystal, Daniel Stern, Jon Lovitz, Jack PalaceMore hilarious than ever, and packing a slew of special features, including behind-the-scenes featurettes, commentary and deleted sce! nes, it's the insightful, delightful film about cowboys, caree! rs and m idlife crises starring comic genius Billy Crystal and Oscar® Winner Jack Palance.

Thirty-nine-year-old New Yorker Mitch Robbins (Crystal) is tired of his job and bored with his life. So he and his two best friends (Bruno Kirby and Daniel Stern) trade their briefcases for saddlebags and set out to find freedom and adventure herding cattle under the wide New Mexico sky. But what they discover instead is scorching sun, sore backsides... and more about themselves and each other than they ever thought possible.

Special Features:

- Audio Commentary by Director Ron Underwood and Stars Billy Crystal and Daniel Stern

- Featurettes: Back in the Saddle; City Slickers Revisited; Bringing in the Script; Writing City Slickers; A Star Is Born: An Ode to Norman and The Real City Slickers

- Deleted ScenesThree middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh Studio: Tcfhe/mgm Release Date: 12/23/2008 Rating: NrThree middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail! proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh

Dans Paris

  • Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he
Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he begins to realize that while things haven't gone according to plan, one can always find something to live for.

Fast & Furious (Two-Disc Special Edition) [Blu-ray]

  • Condition: Average
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Special Edition; Subtitled; Widescreen
Fugitive Dom Toretto (Vin Diesel) partners with former cop Brian O'Conner (Paul Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered US strike force led by their toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job -- an insane heist worth $100 million.More is less is generally the case with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each inst! allment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing that the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immor! tal War of the Gargantuas. Viewers in the mood for a li! ttle log ic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightGet ready for "five times the action, excitement and fun" (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin! . To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an insane heist worth $100 million. Starring: Vin Diesel, Paul Walker, Dwayne 'The Rock' Johnson, Jordana Brewster, Tyrese Gibson, Chris 'Ludacris' Bridges, Matt Schulze, Sung Kang, Gal Gadot, Tego Calderon, Don Omar, Elsa Pataky, Joaquim de Almeida Directed by: Justin LinGet ready for “five times the action, excitement and fun” (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an in! sane heist worth $100 million.More is less is generally the ca! se with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing tha! t the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightVin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! When fugitive Dominic! Toretto (Diesel) returns to Los Angeles to avenge a loved one! ’s dea th, it reignites his feud with agent Brian O’Conner (Walker). But, as they race through crowded city streets and across international lines, they must test their loyalties by joining together to bring down a shared enemy. From big rig heists to precision tunnel crawls, Fast & Furious takes you back into the high-octane world, which lives for speed, drives for the rush and breaks all the rules!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return t! o Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & Furious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson

Stills from Fast & Furious (Click for larger image)
Vin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! From big rig heists to precision tunnel crawls, Fast & Furious takes you back into the high-octane world to race through crowded city streets and across international lines!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hi! jacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & Furious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the bloc! k, it goes out a winner. --Donald Liebenson
Stills from Fast & Furious (Click for larger image)

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