Cables To Go 27370 Field Service Engineer Tool Kit

• Complete Tool Kit Solution
• Soldering iron, utility knife
• 2-pc alignment tool set

Danny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Katherine’s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we’ll go for love.It all comes down to chemistry. And the two main stars of Just Go with It, Jennifer Aniston and Adam Sandler, thankfully, have chemistry to spare. Both actors have plenty of sheer likability and honest ease, as well as sparks in just the right places, which helps propel Just Go with It to its satisfying (if a bit predictable) conclusion. (Hollywood execs: Consider an update of Mo! onlighting starring these two.) If the premise, loosely based on the Goldie Hawn film Cactus Flower, stretches reality, the capability of the whole cast makes Just Go with It an enjoyable ride. Sandler plays Danny, a surgeon who falls for a much-younger bombshell, Palmer (swimsuit model Brooklyn Decker, a surprisingly natural actress). But when Palmer finds the fake wedding band that commitment-phobe Danny has used for his no-strings-attached previous relationships, the web of fibs begins. Danny asks his assistant, Katherine (Aniston), to pretend to be his soon-to-be-ex-wife, and Aniston plays it to the hilt. But soon Danny's wobbly house of cards includes Katherine's children--and, in the ultimate romantic-comedy trope, a group trip to Hawaii to work things out. The cast really is stellar, including very small supporting roles by Nicole Kidman and singer Dave Matthews, as an insufferable couple disliked intensely by Katherine. (Of course they end up in Ha! waii with the gang, too.) Minka Kelly, Kevin Nealon, and Rache! l Dratch also make memorable cameos. But it's Sandler and Aniston, along with the snappy direction by Dennis Dugan (Happy Gilmore, Big Daddy), who make Just Go with It one of the more romantic--and funny--romantic comedies in recent memory. Our advice: Sit back, and just go with it. --A.T. HurleyDanny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Katherine’s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we’ll go for love.It all comes down to chemistry. And the two main stars of Just Go with It, Jennifer Aniston and Adam Sandler, thankfully, have chemistry to spare. Both actors have plenty of sheer likability and honest ease, as well as sparks in just the right places, whic! h helps propel Just Go with It to its satisfying (if a bit predictable) conclusion. (Hollywood execs: Consider an update of Moonlighting starring these two.) If the premise, loosely based on the Goldie Hawn film Cactus Flower, stretches reality, the capability of the whole cast makes Just Go with It an enjoyable ride. Sandler plays Danny, a surgeon who falls for a much-younger bombshell, Palmer (swimsuit model Brooklyn Decker, a surprisingly natural actress). But when Palmer finds the fake wedding band that commitment-phobe Danny has used for his no-strings-attached previous relationships, the web of fibs begins. Danny asks his assistant, Katherine (Aniston), to pretend to be his soon-to-be-ex-wife, and Aniston plays it to the hilt. But soon Danny's wobbly house of cards includes Katherine's children--and, in the ultimate romantic-comedy trope, a group trip to Hawaii to work things out. The cast really is stellar, including very small supporting ! roles by Nicole Kidman and singer Dave Matthews, as an insuffe! rable co uple disliked intensely by Katherine. (Of course they end up in Hawaii with the gang, too.) Minka Kelly, Kevin Nealon, and Rachel Dratch also make memorable cameos. But it's Sandler and Aniston, along with the snappy direction by Dennis Dugan (Happy Gilmore, Big Daddy), who make Just Go with It one of the more romantic--and funny--romantic comedies in recent memory. Our advice: Sit back, and just go with it. --A.T. Hurley T.D. Jakes, New York Times bestselling author of Reposition Yourself, Making Great Decisions, and more than a dozen other titles, now presents this book on forgiveness, demonstrating once again why he is called “a spiritual genius,” a “master of meeting mankind eye to eye,” and one of America’s best preachers.

He understands that he and fellow Christians share spiritual truths “that transcend time and culture and reflect a universal understanding of human nature.” The spiritual truth he expl! ores in Let It Go concerns forgiveness and why it is important for those on the receiving end of wrongful behavior as well as those who commit acts of wrongdoing.

“Forgiveness is a big idea and it works best when it is invested into people who have the courage to grasp the seven-foot-high idea of what’s best for their future rather than the four-foot-high idea of recompense for what has happened in their past,” Jakes writes in Let It Go. This book explores forgiveness as an idea and at the same time offers specific and clear actions for readers who seek to apply the idea in their daily lives. Offenses are a part of life, he says. But conflicts can be resolved and relationships do have a future, if we learn how to forgive. No matter how great or small the injustice, Jakes shows how the matter can be put behind you for the sake of a better tomorrow if you can Let It Go.Includes "It's a Bug's World!," "Diego the Hero!," "Alicia and Whitetail to th! e Rescue!," and "Whistling Willie Finds a Buddy." 96 min. tota! l. Stand ard; Soundtrack: English Dolby Digital stereo; photo gallery.Danny Maccabee (Adam Sandler) meets the girl of his dreams (Brooklyn Decker) but has to enlist his loyal assistant Katherine (Jennifer Aniston) to pretend to be his soon-to-be ex-wife in order to cover up a careless lie. When more lies backfire, Katherine’s kids become involved, and everyone heads off to Hawaii for a ridiculous, out-of-control weekend that tests the limits of how far we’ll go for love.It all comes down to chemistry. And the two main stars of Just Go with It, Jennifer Aniston and Adam Sandler, thankfully, have chemistry to spare. Both actors have plenty of sheer likability and honest ease, as well as sparks in just the right places, which helps propel Just Go with It to its satisfying (if a bit predictable) conclusion. (Hollywood execs: Consider an update of Moonlighting starring these two.) If the premise, loosely based on the Goldie Hawn film Cactus Flower, stretche! s reality, the capability of the whole cast makes Just Go with It an enjoyable ride. Sandler plays Danny, a surgeon who falls for a much-younger bombshell, Palmer (swimsuit model Brooklyn Decker, a surprisingly natural actress). But when Palmer finds the fake wedding band that commitment-phobe Danny has used for his no-strings-attached previous relationships, the web of fibs begins. Danny asks his assistant, Katherine (Aniston), to pretend to be his soon-to-be-ex-wife, and Aniston plays it to the hilt. But soon Danny's wobbly house of cards includes Katherine's children--and, in the ultimate romantic-comedy trope, a group trip to Hawaii to work things out. The cast really is stellar, including very small supporting roles by Nicole Kidman and singer Dave Matthews, as an insufferable couple disliked intensely by Katherine. (Of course they end up in Hawaii with the gang, too.) Minka Kelly, Kevin Nealon, and Rachel Dratch also make memorable cameos. But it's Sandler and ! Aniston, along with the snappy direction by Dennis Dugan (H! appy Gil more, Big Daddy), who make Just Go with It one of the more romantic--and funny--romantic comedies in recent memory. Our advice: Sit back, and just go with it. --A.T. HurleyIt’s always been a dream of mine to do a show at the Fillmore. The name itself is synonymous with legendary performances. Countless iconic musicians and comedians have been on that stage. To be a part of that history was something I’ll never forget. As much as I was trying to keep my head together before the show, I couldn’t help but feel like a tourist or just some random dude who won a contest. LET IT GO represents the culmination of material I developed on the road from 2008-2009. As always thanks to everyone who came out to my shows, laughed at the funny stuff and stared during the bombing. I hope you enjoy it. â€" Bill Burr T.D. Jakes, New York Times bestselling author of Reposition Yourself, Making Great Decisions, and more than a dozen other tit! les, now presents this book on forgiveness, demonstrating once again why he is called “a spiritual genius,” a “master of meeting mankind eye to eye,” and one of America’s best preachers.

He understands that he and fellow Christians share spiritual truths “that transcend time and culture and reflect a universal understanding of human nature.” The spiritual truth he explores in Let It Go concerns forgiveness and why it is important for those on the receiving end of wrongful behavior as well as those who commit acts of wrongdoing.

“Forgiveness is a big idea and it works best when it is invested into people who have the courage to grasp the seven-foot-high idea of what’s best for their future rather than the four-foot-high idea of recompense for what has happened in their past,” Jakes writes in Let It Go. This book explores forgiveness as an idea and at the same time offers specific and clear actions for readers who seek to apply the idea! in their daily lives. Offenses are a part of life, he says. B! ut confl icts can be resolved and relationships do have a future, if we learn how to forgive. No matter how great or small the injustice, Jakes shows how the matter can be put behind you for the sake of a better tomorrow if you can Let It Go. T.D. Jakes, New York Times bestselling author of Reposition Yourself, Making Great Decisions, and more than a dozen other titles, now presents this book on forgiveness, demonstrating once again why he is called “a spiritual genius,” a “master of meeting mankind eye to eye,” and one of America’s best preachers.

He understands that he and fellow Christians share spiritual truths “that transcend time and culture and reflect a universal understanding of human nature.” The spiritual truth he explores in Let It Go concerns forgiveness and why it is important for those on the receiving end of wrongful behavior as well as those who commit acts of wrongdoing.

“Forgiveness is a big idea and it work! s best when it is invested into people who have the courage to grasp the seven-foot-high idea of what’s best for their future rather than the four-foot-high idea of recompense for what has happened in their past,” Jakes writes in Let It Go. This book explores forgiveness as an idea and at the same time offers specific and clear actions for readers who seek to apply the idea in their daily lives. Offenses are a part of life, he says. But conflicts can be resolved and relationships do have a future, if we learn how to forgive. No matter how great or small the injustice, Jakes shows how the matter can be put behind you for the sake of a better tomorrow if you can Let It Go.

Christians struggle daily with anxiety and fear and are in need of biblical solutions for understanding and overcoming this. Tony Evans deals with these issues in a pleasant, clear and easy-to-digest way. This booklet-style format makes a quick, easy read and a possible gift book for a! struggling friend.

Premise Plus Field Service Engineers ! Tool Kit

Read more »

A Bug's Life (Two-Disc Collector's Edition)

• Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co

In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerA funny children's (& adult) cartoon movie.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is! cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voi! ces include Anne Bancroft as the Queen, Christopher Walken, Je! nnifer L opez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Shar! on Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten y! oungsters. --Sean AxmakerWoody Allen as a worker ant wi! th an in feriority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled l! and of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerJourney inside the world of bugs in this epic of miniature proportions. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted ! in this ingenious film. Loaded with bonus features â€" includi! ng anima tion not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led b! y Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen o! r so scenes (both "editions" of outtakes are contained here) ! are bril liant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Read more »

Being Julia

• TESTED

Based on a novella by W. Somerset Maugham, this riveting comedy/drama chronicles the life of 1930s London stage actress Julia (Annette Bening). Bored with her loveless marriage to producer Michael (Jeremy Irons), she begins a torrid affair with a young American. But when her new paramour falls for a model who has her sights set on Michael, scorned Julia decides to get revenge. With Shaun Evans, Bruce Greenwood, Michael Gambon; Istvan Szabo directs. 104 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; "making of" documentary; audio commentary by Bening, Irons, Szabo; behind-the-scenes footage; deleted scenes.Annette Bening's outstanding performance is the best reason to see Being Julia, a highly melodramatic adaptation of the 1937 novel Theatre by W. Somerset Maugham. With a prestigious pedigree (director Istvan Szabo and screenwriter Ronald Harwood share! impressive theatrical backgrounds) and a stellar cast including Jeremy Irons, Bruce Greenwood, and Juliet Stevenson, the film's backstage and onstage theatrics take place in pre-World War II London, when the venerable actress Julia (Bening) fends off middle-age by romancing a stage-struck young American (Shaun Evans) in a calculated attempt to retain some youthful vitality while airing her own dirty laundry onstage in a glorious act of divine diva behavior. Treating life and theater as one big play in which she's the perpetual star, Julia's nothing if not a master thespian, and Bening's got all the chops to keep her in the spotlight. If the film isn't quite worthy of Bening's excellence, at least it gives her performance the showcase it deserves. -- Jeff Shannon

Read more »

After the Sunset (Widescreen New Line Platinum Series)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

A master thief after an incredibly successful heist retires to the bahamas with his beautiful partner in crime. But the cat and mouse games begin again when an fbi agent his old nemesis returns convinced he is going for the biggest score of all the famous napolean diamond. Studio: New Line Home Video Release Date: 12/11/2007 Starring: Pierce Brosnan Woody Harrelson Run time: 91 minutes Rating: Pg13

Read more »

Santa Monica Aviator Sunglasses: Light Gold-Light Blue-Turquiose-Blue/Blue Gradient

• Santa Monica
• Aviator
• Eye: 61/Bridge: 12/Arm: 130
• Metal
• Light blue/turquiose/light gold

It is 1964. The Vietnam War has begun to escalate, its new style of battle demanding new weapons and tactics, and men who can use them. Overnight, it seems, the United States Army must scramble to create its first-ever Air Assault Division, a force critical to its chances of success. The obstacles are staggering--untrained men, technical mishaps, interservice rivalries. But through sheer courage and dedication, these heroic fighters rise to the challenge. For they are America's bravest--facing the ultimate test...

Light Gold-Light Blue-Turquiose-Blue/Blue Gradient: This pair of Michael By Michael Kors sunglasses is an elegant design that is perfect for eye protection against harmful sun rays.

Read more »

Bollywood Hollywood Movie Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style B -(Rahul Khanna)(Lisa Ray)(Rishma Malik)(Jazz Mann)(Moushumi Chatterjee)(Dina Pathak)

• Bollywood Hollywood Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style B
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

When people from a culture largely defined by bollywood find themselves in an environment that is saturated with hollywood the result is a state of mind that celebrates these two seemingly disparate worlds. Studio: Arts Alliance America Release Date: 11/08/2005 Run time: 105 minutes Rating: Pg13Bollywood Hollywood is a delightful, cross-cultural parody of both India's and America's musical film traditions. Directed by Deepa Mehta (Earth), Bollywood Hollywood concerns the desperate effort of wealthy businessman Rahul (Rahul Khanna) to get his mother and grandmother off his back when it comes to his romantic life. In love with a white pop-star girlfriend (Jessica Paré), Rahul's fortunes change when she dies. Still grieving, he is told by his mother that Rahul's only sister won't be allowed to marry until he finds a nice Indian girl to wed. The solution: hire a beautiful, dark-skinned, allegedly Spanish escort named Sue (Lisa Ray) to pose as his Indian fiancée. With tongue firmly planted in cheek, Mehta pokes fun at a number of Bollywood cinema clichés, especially that familiar mix of modern luxury and old world traditions, melodramas involving the saddest of character backstories, and spontaneous musical numbers that remind one as much of Hollywood's Golden Age as Bollywood's current one. --Tom KeoghBollywood Hollywood is a delightful, cross-cultural parody of both India's and Ameri! ca's musical film traditions. Directed by Deepa Mehta (Eart! h), Bollywood Hollywood concerns the desperate effort of wealthy businessman Rahul (Rahul Khanna) to get his mother and grandmother off his back when it comes to his romantic life. In love with a white pop-star girlfriend (Jessica Paré), Rahul's fortunes change when she dies. Still grieving, he is told by his mother that Rahul's only sister won't be allowed to marry until he finds a nice Indian girl to wed. The solution: hire a beautiful, dark-skinned, allegedly Spanish escort named Sue (Lisa Ray) to pose as his Indian fiancée. With tongue firmly planted in cheek, Mehta pokes fun at a number of Bollywood cinema clichés, especially that familiar mix of modern luxury and old world traditions, melodramas involving the saddest of character backstories, and spontaneous musical numbers that remind one as much of Hollywood's Golden Age as Bollywood's current one. --Tom Keogh

The film sequel is held to be a vampirish corporative exercise in profitmaking and narrative ! regurgitation. Drawing upon a wide range of filmic examples from early cinema to today, this unique volume follows the increasing popularity and innovation of film sequels as a central dynamic of Hollywood cinema. Now debuting at world cinemas and independent film festivals, the sequel has become a vehicle for cross-cultural dialogue and a structure by which memories and cultural narratives are circulated across geographical and historical locations. The book explores sequel production beyond box office figures, considering the form in recent mainstream cinema, art-house and "indie" films, and non-Hollywood sequels, and it traces the effects of the domestic market on sequelization and the impact of the video game industry on Hollywood.

Bollywood Hollywood Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style B reproduction poster print

CAST: Rahul Khanna, Lisa Ray, Rishma Malik, Jazz Mann, Moushumi Chatterjee, Dina Pathak, Kulbhushan Kharbanda, Ranjit Chowdhry, Lees! a Gaspari, Arjun Lombardi-Singh, Neelam Mansingh, Mike Deoi, J! essica P aré, Jolly Bader, Ronica Sajnani

Read more »

Edward Scissorhands [DVD] Full Screen 10th Anniversary Edition

• Full Screen Anniversary Edition (2005)
• Audio Commentary by Tim Burton & Danny Elfman
• Featurette & Concept Art
• Languages: English, Spanish & French. Subtitles: English & Spanish
• Original Theatrical Trailer & TV Spots

Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp! ), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fanta! sy, but Edward Scissorhands is more tender and personal! than th e others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerStudio: Tcfhe Release Date: 09/23/2008 Run time: 105 minutes Rating: Pg13Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind A! von lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair des! ign make him popular in the neighborhood--but the mood turns j! ust as s wiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerEDWARD SCISSORHANDS ANNIVERSARY EDITI - DVD MovieEDWARD SCISSO! RHANDS ANNIVERSARY EDITI - DVD MovieEdward Scissorhands (Full Screen Anniversary Edition), 2005 release by 20th Century Fox Home Entertainment.

Read more »

Black Batman Batarang Shape Dark Knight Dbl Edge Sharp Folding Knife

• 440 Stainless Razor Sharp Double Blade in Batrang Shape
• 11" total length when blades are open
• 2.5" Blade
• Black Color with Batman Logo in White
• ABS Lock and Belt Clip

Up for sale is a brand new Batman folding knife with twin razor sharp stainless 440 blades. Item has black finished ABS handle shaped like a Batman logo and imprinted with a silver Batman logo on it. When folded, this knife has a shape of Batman's batarang. The twin blades are black finished except the edge portion, and they have liner lock mechanism and thumb studs. The batman knife comes with a belt clip. The knife is measured at 5-3/4" when blades are closed, and 11" with blades open. The item comes with the original gift box..

Read more »

50 First Dates (Widescreen Special Edition)

• Bonus: Director and Cast Commentary
• Bonus: Deleted Scenes
• Bonus: The Dating Scene The Making of 50 First Dates
• Bonus: Music Videos
• Bonus: Comedy Central Reel Comedy Special

Julia jones is looking for love in all the wrong movies until she snags the man of her dreams! but now a devious ex a farting feline & eccentric in-laws threaten her perfect hollywood wedding! Studio: Tcfhe Release Date: 02/05/2008 Starring: Alyson Hannigan Run time: 85 minutes Rating: UrBring home the UNRATED DVD that lets you go all the way on the first date! With outrageous extras and footage not shown in theaters, here's the ruder, cruder version of the no-holds-barred comedy from two of the twisted minds behind Scary Movie.

Julia Jones (Alyson Hannigan from the American Pie series) is looking for love in ALL the wrong movies, until she snags the man of her dreams! But now, a de! vious ex, a farting feline and eccentric in-laws threaten her perfect Hollywood wedding!Steve Carell and Tina Fey are “a match made in comedy heaven” (Ben Lyons, E!) in this uproarious adventure about an ordinary couple in the right place...on the wrong night. Phil and Claire Foster are a sensible, suburban husband and wife slogging through their daily lives and marriage. But a case of mistaken identity sets off a n outrageous chain of events involving small-time thieves, big-city mobsters, corrupt cops and a crazed cabbie, as the Fosters’ “date night” turns into a wild ride they’ll never forget! Tina Fey and Steve Carell are two of the most charming performers in entertainment today. Their goofy attractiveness makes them a perfect couple in Date Night: an unremarkable husband and wife from New Jersey, they get mistaken for crooks in Manhattan, sending them on a wild night replete with snooty wait staff, crooked cops, glitter-specked strippers, a shirtles! s superspy (Mark Wahlberg, as buff as ever), and a preposterou! s car ch ase. The movie makes no effort to be remotely plausible and the last third really goes off the rails, and it would probably be better served by less familiar faces in minor roles (bit parts are played by Mark Ruffalo, Kristen Wiig, Common, James Franco, Mila Kunis, William Fichtner, and Ray Liotta). It's disappointing that the dialogue doesn't crackle the way it does on 30 Rock or The Office. But Fey and Carell carry the movie along through sheer nerdy pluck. Rarely does a couple in a movie seem genuinely devoted to each other, not out of wild passion, but for all the things that a real marriage is built on: patience, shared humor, a willingness to deal with day-to-day annoyances, and simple affection. Fey and Carell seem like a couple you'd actually enjoy going out to dinner with. In today's world, that's more romantic than sunsets and bouquets of roses. --Bret Fetzer From The Hangover director Todd Phillips, Due Date ! throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.Debra Messing (TV's Will & Grace) shines in this hilarious romantic comedy about the surprising road to finding true love. Kat Ellis (Messing) is determined to attend her younger sister's wedding with a date. Rather than face the ridicule of her family and in order to show up her ex-fiance, she resorts to the Yellow Pages to find a last-minute escort, Nick (Dermot Mulroney, My Best Friend's ! Wedding). His dashing good looks and quick-witted charm may w! in over her family. But will they win over Kat? Filled with unexpected twists and endless laughs, The Wedding Date is the one date that you'll want to keep!If you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fiancé who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire! running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relatively painless but forgettable first Date; you probably won't need a second assignation.--Steve WieckingFrom The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friends! hips and Peter’s last nerve. Due Date is such a broad! comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate! events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyAdam Sandler and Drew Barrymore star together for the first time since The Wedding Singer in one of the funniest romantic comedies in years. Henry Roth (Adam Sandler) lives an enviable life in a Hawaiian paradise, spending every night with a beautiful tourist in search of an island fling. It is a sweet life with no strings attached, until he meet! s Lucy (Drew Barrymore). He and Lucy hit it off from the get g! o, but t he next day she acts like she does not know him. Has his karma come around to kick him in the butt or what? Actually, Lucy has short-term memory loss, so every night all memory of her day is erased. But a man in love will go to any lengths to win over the girl of his dreams, and if that means having to find imaginative ways of doing it over again every day, then Henrys up for the challenge. Rob Schneider (Big Daddy) and Sean Astin (The Lord of the Rings trilogy) co-star in 50 First Dates, which will win you over every time you watch it!

Read more »

The Fantasticks: The Complete Illustrated Text Plus the Official Fantasticks Scrapbook and History of the Musical

• Published by Applause Books 168 Pages
• by Harvey Schmidt and Tom Jones
• Author: Tom Jones

"Richly illustrated, it is ideal for fans of the show, as well as admirers of musical theatre." - Variety * "Anybody who has seen the show (who hasn't?) should read the book" - Entertainment Today * "The perfect present for any Fantasticks fans." - Cleveland Plain Dealer * "A valuable resource. Recommended for all collections." - Choice

Read more »

Frozen

• FROZEN (DVD MOVIE)

A typical day on the slopes turns into a chilling nightmare for three snowboarders when they get stranded on the chairlift before their last run. As the ski patrol switches off the night lights, they realize with growing panic that they’ve been left behind, dangling high off the ground with no way down.

Snow-sport enthusiasts, take note: Adam Green's unsettling thriller Frozen suggests that abiding by the rules and regulations of your local ski resort might not only be polite, but essential to your health. Green's hapless heroes--nice guy Dan (Kevin Zegers, Transamerica), his best pal Lynch (Shawn Ashmore, the X-Men franchise), and Dan's new girlfriend Parker (newcomer Emma Bell)--decided to cut a few corners in pursuit of more time on the slopes. Miscommunication with the staff results in the trio getting stuck on a lift some 60 feet in the a! ir just moments before the resort closes for a three-day weekend. The hope for rescue soon dwindles, and the trio faces the decision to either endure the elements or somehow make their way to the ground without injury. All of the gruesome possibilities inherent to the situation--from frostbite and broken limbs to a pack of voracious wolves--are explored in unpleasant detail, but what sets Frozen apart from a simple splatterfest is the quality of the performances, especially Bell, who rises above her character's initial superficiality to present a wholly sympathetic character. Fans of Green's first film, the abysmal slasher tribute Hatchet, might find the pacing glacial (ahem), but those who admired his sophomore effort, the psychological thriller Spiral, will appreciate his attention to pacing and suspense, which puts Frozen on par with the very similar Open Water. The DVD includes commentary by Green and his stars, along with deleted scen! es and a wealth of behind-the-scenes featurettes focusing on c! onceptio n of the project, as well as the crew's struggles with the genuinely contentious weather at the Utah filming location. --Paul Gaita

Read more »

Pip and the Edge of Heaven

• ISBN13: 9780802852571
• Condition: Used - Like New
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Two realities run parallel. A biker comes off his motorcycle. In one world Jarrad’s mother and an attentive nurse pray for his miraculous healing. In the other Jarrad lives and moves in a spirit world. Why is Meredith so concerned? What is this young biker to her? Can Jarrad live? Can he pull himself out of the blackness and return to reality or will he challenge the faith of his mother and drive the wedges of guilt into his friends for their own lives? Read on to find out.Two realities run parallel. A biker comes off his motorcycle. In one world Jarrad’s mother and an attentive nurse pray for his miraculous healing. In the other Jarrad lives and moves in a spirit world. Why is Meredith so concerned? What is thi! s young biker to her? Can Jarrad live? Can he pull himself out of the blackness and return to reality or will he challenge the faith of his mother and drive the wedges of guilt into his friends for their own lives? Read on to find out.Montana truly is heavenly. Especially those handsome cowboys.

Filled with colorful characters of all shapes, sizes and species, including an orphaned baby pig, most of the Langston family put the fun in dysfunctional, give or take a couple of black sheep. There's one in every family, isn't there? Add to that glorious scenery, a horse of her own, and one extremely attractive cousin rancher, Luke Lanston, and it makes for a summer Charlie will never forget. Which might not be a good thing. She has the time of her life, but her heart may never recover.Genre: LGBT Paranormal

Welcome to the afterlife, where men are men and the angels are fallen.

It was a reckless act of passion that ended Edge’s life and left him in L! imbo -- literally. Now, he’s stuck here. While most of the o! ther ang els-in-training move quickly up the celestial ladder, Edge knows it can never be that simple for him. He’s dealing with issues that are a lot more complicated than a simple lack of closure.

While Edge doesn’t know for sure what it will take to get him into Heaven, there is one thing he’s certain won’t help -- his latest assignment guiding angel-baby Matteo Matinucci while the newbie find his wings.

But twenty-something Mattie -- sexy, beautiful, recently departed, and openly gay -- could turn out to be the answer to all of Edge’s prayers, as well as the fulfillment of all his fantasies, even the hot, sweaty, secret ones he’s never confided to anyone. And by helping to send Mattie to Heaven, Edge just might end up saving both their souls.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Genre: LGBT Paranormal

We! lcome to the afterlife, where men are men and the angels are fallen.

It was a reckless act of passion that ended Edge’s life and left him in Limbo -- literally. Now, he’s stuck here. While most of the other angels-in-training move quickly up the celestial ladder, Edge knows it can never be that simple for him. He’s dealing with issues that are a lot more complicated than a simple lack of closure.

While Edge doesn’t know for sure what it will take to get him into Heaven, there is one thing he’s certain won’t help -- his latest assignment guiding angel-baby Matteo Matinucci while the newbie find his wings.

But twenty-something Mattie -- sexy, beautiful, recently departed, and openly gay -- could turn out to be the answer to all of Edge’s prayers, as well as the fulfillment of all his fantasies, even the hot, sweaty, secret ones he’s never confided to anyone. And by helping to send Mattie to Heaven, Edge just might end up saving both their ! souls.

Publisher's Note: This book contains explicit se! xual con tent, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Before bed each night Pip asks his mother about God and heaven, but he provides his own answers before his mother has a chance to speak.

Read more »

Purging Your House, Pruning Your Family Tree: How to rid your home and family of demonic influence and generational oppression

• ISBN13: 9781616381868
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Do the following questions express what you have feltâ€"or askedâ€"in the past?

• Does a weeping willow describe your family tree?
• Do you secretly wish you had been born to a different family?
• Did you pick up some bad DNA from someone in your lineage?
• Would you like to put on a new set of genes and make a new you? 
• Is there a warfare ! going on that you won’t talk about?
• What are the keys to a happy home and marriage?

 

If so, keep reading! There are two important ways for you to alter your present personal situations and prepare for a great emotional and spiritual futureâ€"by purging your house and pruning your family tree. Purging your house involves removing spiritual, emotional, and mental hindrances from three houses: spiritual, physical, and emotional. The author teaches readers the 3-step process of removing the leprosy (laying aside the weights or sins), rebuilding a fresh foundation (replacing old thoughts with new thoughts), and restoring the house (new friends, relations, directions). Pruning your family tree involves a process called redemptive alteration, which positively impacts your future when the Word of God defeats the sin habits and overcomes the carnal nature through regeneration. The ! author reveals the dangers that can harm or destroy our family! are the same dangers that destroy nature’s treesâ€"storms that place pressure on the branches, drought the destroys the leaves, cold weather that destroys the fruit, and floods that uproot the entire tree.  He teaches us how to evict the enemy by quoting Scripture, experiencing the anointing, rebuking the devil, and having strong faith.

Read more »

Investigating History - Butch Cassidy & the Sundance Kid (History Channel)

• The last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as

Paul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and lif! e is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written! by William Goldman (The Princess Bride) and directed b! y George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that! Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe f! or the picking all over the world. Robert Redford is his more ! levelhea ded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways t! o get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul New! man plays the legendary outlaw Butch Cassidy as an eternal opt! imist an d self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghStudio: Tcfhe Release Date: 05/10/2011 Rating: Pg13This 1969 film has never lost its popularity or its unusual ! appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautnes! s, and the chemistry between Redford and Newman is rare. (A fa! ctoid: N ewman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tr! icks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless p! osse--always seen at a great distance like some remote authori! ty--forc es Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThe last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as William T. Phillips in Spokane 20 years later? Did the West's last badman escape the law in the end?

Read more »

Demonlover (Unrated)

• Olivier Assayas' Demonlover takes us deep into the underbelly of the illicit and financially lucrative world of 3D animated pornography. With billions at risk, Diane (Connie Nielsen) is hired into a high stakes game of espionage, which leads her to the twisted world of the Hellfire Club, an interactive torture website. Her bid to gain fortune quickly becomes a frantic race to survive as she is

The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is an unholy marriage of ruthless corporate thriller and sinister science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and invasive tactics would make her a villain in any other film. Here she's just a pawn in a shadowy conspiracy that may involve contemptuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from th! e legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean AxmakerExperimental rock band composed 'Demonlover' between Summer and Autumn 2001. Features eight tracks composed by Sonic Youth along with four additional tracks by Goldfrapp, Death In Vegas, Sub Squad & Soulfly. The film screened at the 2002 Cannes Film FestiThe film captures a culture spiraling out of control in which reality is posited as a video game and where every twist escalates the film to a new level.The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is a! n unholy marriage of ruthless corporate thriller and sinister ! science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and invasive tactics would make her a villain in any other film. Here she's just a pawn in a shadowy conspiracy that may involve contemptuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from the legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean Axmaker

Read more »

Hollywoodland (Widescreen Edition)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Based on the true story of Hollywood's most notorious unsolved mystery, Hollywoodland is a tale of glamour, scandal, and corruption in 1950's Los Angeles. When George Reeves (Ben Affleck), star of TV's Adventures of Superman, is found dead in his home, millions of fans are shocked by the circumstances of his death. The police and the studio bosses want the case closed as a suicide, but rumors linger. Louis Simo (Adrien Brody), a private investigator, picks up the trail and begins to piece together the actor's last, tension-filled days. Who pulled the trigger? Was it the seductive yet scheming fiancee, the spurned lover (Diane Lane), the enraged husband (Bob Hoskins), or was it Reeves himself? Starring: Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Lois Smith, Robbin Tunney, Moll! y Parker, Kathleen Robertson, Joe Spano Directed by: Allen CoulterThe fact-based mystery of Hollywoodland takes place in 1959, when the death of Adventures of Superman TV star George Reeves cast a pall over the waning days of golden-age Hollywood. As written by Paul Bernbaum, this intriguing whodunit effectively evokes the tainted atmosphere that surrounded Reeves' death (officially ruled a suicide but never conclusively solved), and speculates on circumstances to suggest that Reeves may have been murdered. In combining the melancholy course of Reeves' career with the investigation of a down-and-out private detective into the possible causes of Reeves' death, the film evolves into an engrossing study of parallels between lives on either side of the Hollywood dream. Building upon a distinguished career in TV including episodes of HBO's The Sopranos, Rome and Six Feet Under, director Allen Coulter finds a satisfying balance between the tragi! c overtones of the Reeves case and the time-honored elements o! f the gu mshoe genre, with Adrien Brody doing fine work as private eye Louis Simo, a fictional composite character who is our conduit to the desperate yearnings of Reeves' final months.

In a critically acclaimed performance, Ben Affleck plays Reeves in moody flashbacks, caught between Superman stardom and financial dependence on his lover Toni Mannix (Diane Lane), the somewhat predatory wife of Hollywood "fixer" and MGM honcho Eddie Mannix (Bob Hoskins), whose mob connections suggest foul play as Simo's investigation progresses. Reeves' subsequent lover (played by Robin Tunney) may also be culpable, and as Simo's own personal life unravels, his empathy for Reeves takes on added significance. In presenting its mystery as a set of plausible scenarios, Hollywoodland holds interest as a mystery that's refreshingly compassionate toward the fate of its characters. Warts and all, they're likable dreamers in a town where dreams don't always come true. --Jeff Shannon

Read more »

Big Fan

• Paul Aufiero, a 35-year-old parking attendant who lives at home with his mother, is the self-described world s biggest New York Giants fan. He spends his off hours calling local sports-radio stations where he rants in support of his beloved team. One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop and follows his limo to a strip club. Paul decides to approach his h

Paul Aufiero (Patton Oswalt), a 35-year-old parking attendant who lives at home with his mother, is the self-described world s biggest New York Giants fan. He spends his off hours calling local sports-radio stations where he rants in support of his beloved team. One night, Paul and his best friend Sal (Kevin Corrigan) spot Giants star linebacker Quantrell Bishop and follows his limo to a strip club. Paul decides to approach his hero but things don t go as planned. The chance encounter brings Paul s ! world crashing down around him as his family, the team, the media and the authorities engage in a tug of war over Paul, testing his allegiances and calling into question everything he believes in.

Read more »

Eight Below (Full Screen Edition)

• Inspired by a true story and the hit Japanese film NANKYOKU MONOGATARI, Frank Marshall s (ALIVE, CONGO) EIGHT BELOW captures a rugged world of ice, snow, and threatening weather that few will ever experience in person. As a guide for a National Science Foundation Research Base in Antarctica, Jerry Shepard (Paul Walker) is perfectly content to spend his time exploring the wilderness with his sled d

Walt Disney Pictures presents EIGHT BELOW, the thrilling tale of incredible friendship between eight amazing sled dogs and their guide Jerry (Paul Walker). Stranded in Antarctica during the most unforgiving winter on the planet, Jerry's beloved sled dogs must learn to survive together until Jerry â€" who will stop at nothing -- rescues them. Driven by unwavering bonds of friendship, enormous belief in one another, and tremendous courage, Jerry and the dogs make an incredible journey to reunite in th! is triumphant and inspiring action-adventure the whole family will treasure.Despite a likable cast of humans, it's the canine stars who steal the show in Eight Below, a terrific live-action adventure in the time-honored Disney tradition. Based on a true story that was previously filmed (much differently) as the 1983 Japanese hit Antarctica, this above-average family film takes place in 1993 and focuses on a dog-sled guide at an Antarctic research station (Paul Walker) who is forced by a severe storm to abandon eight beloved sled dogs for the duration of a harsh Antarctic winter. Left to fend for themselves, the rugged and resourceful dogs encounter danger at every turn, surviving for nearly six months while Walker and his closest colleagues (engagingly played by Bruce Greenwood, Moon Bloodgood, and American Pie's Jason Biggs) join forces to mount a daring rescue mission. Having endured similarly extreme conditions on his 1993 film Alive, director! Frank Marshall brings an abundance of natural splendor (and m! inimum u se of digital wizardry) to spectacularly arctic locations in Norway, Greenland and Canada, and Walker (star of The Fast and the Furious) lends an amiable sincerity to his compassionate role. For most viewers, however, it's the remarkable dogs (six Siberian huskies and two malamutes) who make Eight Below so thoroughly entertaining. It's not quite an instant family classic, but it comes pretty doggone close. --Jeff Shannon

Read more »

Fisher Science Education Histology Microscopic Slide: Blood Smear, WR Stain; Human

• Slides sets are prepared using quality materials and glass slides with finely-ground edges
• Slide preparation involves several steps, which can vary according to specimen type and the stain procedure that ensures the best quality
• Strict quality control is performed is after each step to make certain that the final product is of the finest quality

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser.

Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. ! It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Plac! e--the gossip, the jealousy, the acrimony, the boredom, the l! ies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced r! etirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux ! is intriguingly (and convincingly) nutty, and any number of m! inor cha racters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts! of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

Athena C! ollege was snoozing complacently in the Berkshires until Colem! an Silk --formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sen! sibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instea! d the raw I with all its agility. Self-discovery--t! hat was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth! about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where c! onflicting moralities and ideological divisions are made manif! est thro ugh public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

>

Nathan Zuckerman, Roth's favorite narrator, is at it again, and Bookclub-in-a-Box is right by his side. After you read this fascinating book, read the Bookclub-in-a-Box discussion guide and discover Roth's genius as a writer. If one is already a fan of Philip Roth, they will be thrilled with this discussion; if they are not yet a fan, they will become one with the help of Bookclub-in-a-Box.

Philip Roth has been one of the most important writers of fiction in the United States during the latter part of ! the twentieth century and into the twenty-first. Philip Roth collects new essays by noted Roth scholars on three essential novels appearing in recent years, American Pastoral (1997), The Human Stain (2000), and The Plot Against America (2004). The volume illuminates Roths multilayered perceptions of twentieth-century America as a place, a culture, and an idea that shapes its inhabitants in profound ways. Focusing on such topics as ethnicity, race, the family, trauma, American history, historiography, fact vs. fiction, narrative form, and Roths literary antecedents, the essays in Philip Roth offer fresh readings of Roths penetrating explorations of the American self and the American scene. The contributors probe this American Jewish writers insights into the paradoxes of freedom, the politics of identity, especially as defined by racial or ethnic affiliation, and the possibilities available for self-definition and transformation within modern American history and culture.Phi! lip Roth has been one of the most important writers of fiction! in the United States during the latter part of the twentieth century and into the twenty-first. Philip Roth collects new essays by noted Roth scholars on three essential novels appearing in recent years, American Pastoral (1997), The Human Stain (2000), and The Plot Against America (2004). The volume illuminates Roths multilayered perceptions of twentieth-century America as a place, a culture, and an idea that shapes its inhabitants in profound ways. Focusing on such topics as ethnicity, race, the family, trauma, American history, historiography, fact vs. fiction, narrative form, and Roths literary antecedents, the essays in Philip Roth offer fresh readings of Roths penetrating explorations of the American self and the American scene. The contributors probe this American Jewish writers insights into the paradoxes of freedom, the politics of identity, especially as defined by racial or ethnic affiliation, and the possibilities available for self-definition and transformation within ! modern American history and culture.Prepared by skilled technicians using state-of-the-art equipment. Slides are made of highest quality materials, which provide the clearest image of the subject. On request, special slides to provide exact requirement for Biology labs are provided.

Read more »

Monster Rock Instrument Cable - 21 Feet - Angled to Straight 1/4-Inch plug

• 95% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.
• IsoTec® vibration isolation technology further reduces handling noise.
• Extra-flexible Duraflex® outer jacket for superior reliability and cut resistance.
• 24k 1/4" gold contact connectors with collar strain relief are durable and corrosion resistant.
• Multiple Time Correct® windings phase align signal for natural reproduction of midrange frequencies.

Get on the bio-fueled bus with actor and activist Woody Harrelson and his band of "Merry Hempsters" as they embark on a 1,300-mile road trip from Seattle to Santa Barbara to promote environmental awareness and "Simple Organic Living." Pop and counter-culture documentarian Ron Mann (Grass, Comic Book Confidential, Twist) chronicles every leg of Harrelson’s journey, from college campus appe! arances and encounters with curious onlookers, to a visit with 1960s icon Ken Kesey. With his fellow travelers, including one confessed junk food addict, Harrelson is determined to change hearts and minds, one hemp burger and sweet avocado chocolate mousse pie at a time. Featuring the music of Natalie Merchant, Bob Weir, Anthony Kiedis and Dave Matthews. "It’s all good, dude."In Natural Born Killers, Woody Harrelson played a mass murderer on a road trip killing spree. In Go Further, Harrelson has returned to the road, this time as himself, and this time he’s out to save the earth. The film documents a trip down the Pacific coast Harrelson and assorted friends took in the summer of 2001 in a bio-diesel and hemp oil-fueled bus. Along the way they tackled various stretches by bike, did a lot of yoga, spoke in front of college crowds about environmental awareness, ate avocado-based delicacies prepared by the on-board raw foods chef, and encountered rock stars ! like Bob Weir, Natalie Merchant, and Anthony Kiedis. Your run ! of the m ill road trip, in other words. Harrelson’s buddy, the junk food addict Steve Clark emerges as the star, if stardom means the ability to expound on the evils of non-organic milk at length. Herein lies the conundrum. For all its earnestness, or maybe because of it, Go Further drags. It’s a movie with its heart in the right place, but that seems unwilling to preach to anyone outside the choir. The best bits are those in which Harrelson and the crew encounter folks who don't share their point of view--inhalant-addicted teens in Oregon, small town folks who sneeringly refer to Harrelson as "Woody Allen." Opportunities for confrontation are eschewed lest anyone's vibe gets harshed. One almost wishes Michael Moore had been hitchhiking along US Route 1 that summer. --Ryan BoudinotActor Woody Harrelson, along with his friends from the 2003 Toronto Film Festival hit, Go Further, directed by Ron Mann, encourages people to "walk on the earth with a lighter footprint" i! n How To Go Further: A Guide to Simple Organic Living.

Covering a wide range of topicsâ€"such as organic food, alternative energy, yoga, and political activismâ€"the book has its roots in 2001's "Simple Organic Living (SOL) Tour." The tour saw Woody and his companionsâ€"including a yoga teacher, a raw food chef, and a confessed "junk food junkie"â€"biking down the Pacific coast and talking to people about how to lead a happier, healthier life while using less of the world's resources.

The book also features writing from some of the tour's other participants, as well as from well-known activists such as John Schaeffer, founder and president of Real Goods, a company devoted to creating alternative energy options, and Howard "Twilly" Cannon, former skipper of Greenpeace's Rainbow Warrior.

In the beginning everything is fresh and new. Learning how to cast a circle, work magick, compile a Book of Shadows, and honor the God and Goddess on esbats and sabbats can be! exhilarating. But once you've mastered the basics of Witchcra! ft comes the real challenge of living your faith every moment of every day. Living as a Witch is knowing that you are the magick.

Advanced Witchcraft doesn't contain any “Wicca 101” informationâ€"it assumes that you're already familiar with the nuts and bolts of the Craft. Instead, this book challenges you to think critically about your beliefs and practices, what they mean to you, how they've changed, and where you're going. Along the way you'll also learn many techniques for intermediate and advanced Witches, including:

â€"Meeting your shadow
â€"Advanced warding and psychic self-defense
â€"Power animals, familiars, and shapeshifters
â€"Working the labyrinth and the maze
â€"Advanced tree spirituality
â€"Advanced augury and divination
â€"Magick and ritual using the fine arts of storytelling, dance, music, art, and drama
â€"The art of Wishcraft    
â€"Spirits and lost souls
â€"Banishing and clo! sing portals
â€"The healing arts

In the beginning everything is fresh and new. Learning how to cast a circle, work magick, compile a Book of Shadows, and honor the God and Goddess on esbats and sabbats can be exhilarating. But once you've mastered the basics of Witchcraft comes the real challenge of living your faith every moment of every day. Living as a Witch is knowing that you are the magick.

Advanced Witchcraft doesn't contain any “Wicca 101” informationâ€"it assumes that you're already familiar with the nuts and bolts of the Craft. Instead, this book challenges you to think critically about your beliefs and practices, what they mean to you, how they've changed, and where you're going. Along the way you'll also learn many techniques for intermediate and advanced Witches, including:

â€"Meeting your shadow
â€"Advanced warding and psychic self-defense
â€"Power animals, familiars, and shapeshifters
â€"Working! the labyrinth and the maze
â€"Advanced tree spiritualit! y
â€"Advanced augury and divination
â€"Magick and ritual using the fine arts of storytelling, dance, music, art, and drama
â€"The art of Wishcraft    
â€"Spirits and lost souls
â€"Banishing and closing portals
â€"The healing arts

Monster Rock Cable features patented technologies help you deliver the power and full impact of your tone.Unlike ordinary cable, Monster Rock uses patented technologies to accent the raw power of your sound so it cuts through the mix. Monster's advanced coaxial design preserves fast transients, clean highs and vivid harmonics while patented multiple gauge wire networks enhance your guitar's sonic bite. A solid core center conductor provides tighter bass response, plus an extra-dense braided shield and carbon-infused dielectric minimize interference and hum.

Read more »