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When Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.A year after a devastating friendly fire incident during the Gulf War, Lt. Colonel Nathaniel Serling (Denzel Washington) is in a Washington, D.C., desk job assigned the rudimentary task of overseeing a Medal of Honor candidate who died in the war. However, the case and soldier in question ! are a political hot potato--Captain Karen Walden (Meg Ryan) is America's first female soldier to be killed in combat.
Serling soon finds discrepancies in the case of a downed Medevac helicopter in the rocky Kuwait territory. What unfolds in flashback are several versions of Walden's tactics (Ã la Kurosawa's Rashomon) to rescue the soldiers and survive the downing. As with Glory, Director Edward Zwick's cast of unknown and famous faces always comes off as the real article. Walden's crew is especially convincing. Matt Damon as the medic comes off as the giddy scaredy-cat when telling his story to Washington. In battle he's a flawed, humorous soldier. The most surprising work in the movie is done by Lou Diamond Phillips (as the group's gunman), whose career had been headed to straight-to-video oblivion.
Then there's Ryan. She has done well with dramatic work in the past (When a Man Loves a Woman, Flesh and Bone) but has never been able to esc! ape the romantic-comedy image. With dyed hair, a light accent,! and the dramatics of the situation, Ryan finally has an enduring dramatic film. Even though she has half of Washington's screen time, her brave and ultimately haunting performance makes Courage something special, right down to its curious but rewarding final scene. --Doug ThomasWhen Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.A year after a devastating friendly fire incident during the Gulf War, Lt. Colonel Nathaniel Serling (Denzel Washington) is in a Washington, D.C., desk job assigned the rudimentary task of overseeing a Medal of Honor candidate who died in the war. However, the case and soldier in q! uestion are a political hot potato--Captain Karen Walden (Meg Ryan) is America's first female soldier to be killed in combat.
Serling soon finds discrepancies in the case of a downed Medevac helicopter in the rocky Kuwait territory. What unfolds in flashback are several versions of Walden's tactics (Ã la Kurosawa's Rashomon) to rescue the soldiers and survive the downing. As with Glory, Director Edward Zwick's cast of unknown and famous faces always comes off as the real article. Walden's crew is especially convincing. Matt Damon as the medic comes off as the giddy scaredy-cat when telling his story to Washington. In battle he's a flawed, humorous soldier. The most surprising work in the movie is done by Lou Diamond Phillips (as the group's gunman), whose career had been headed to straight-to-video oblivion.
Then there's Ryan. She has done well with dramatic work in the past (When a Man Loves a Woman, Flesh and Bone) but has never been abl! e to escape the romantic-comedy image. With dyed hair, a light! accent, and the dramatics of the situation, Ryan finally has an enduring dramatic film. Even though she has half of Washington's screen time, her brave and ultimately haunting performance makes Courage something special, right down to its curious but rewarding final scene. --Doug ThomasWhen Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.A year after a devastating friendly fire incident during the Gulf War, Lt. Colonel Nathaniel Serling (Denzel Washington) is in a Washington, D.C., desk job assigned the rudimentary task of overseeing a Medal of Honor candidate who died in the war. However, the case and sold! ier in question are a political hot potato--Captain Karen Walden (Meg Ryan) is America's first female soldier to be killed in combat.
Serling soon finds discrepancies in the case of a downed Medevac helicopter in the rocky Kuwait territory. What unfolds in flashback are several versions of Walden's tactics (Ã la Kurosawa's Rashomon) to rescue the soldiers and survive the downing. As with Glory, Director Edward Zwick's cast of unknown and famous faces always comes off as the real article. Walden's crew is especially convincing. Matt Damon as the medic comes off as the giddy scaredy-cat when telling his story to Washington. In battle he's a flawed, humorous soldier. The most surprising work in the movie is done by Lou Diamond Phillips (as the group's gunman), whose career had been headed to straight-to-video oblivion.
Then there's Ryan. She has done well with dramatic work in the past (When a Man Loves a Woman, Flesh and Bone) but has never ! been able to escape the romantic-comedy image. With dyed hair,! a light accent, and the dramatics of the situation, Ryan finally has an enduring dramatic film. Even though she has half of Washington's screen time, her brave and ultimately haunting performance makes Courage something special, right down to its curious but rewarding final scene. --Doug Thomas
"On September 9, 1965, I flew at 500 knots right into a flak trap, at tree-top level, in a little A-4 airplanetâ€"the cockpit walls not even three feet apartâ€"which I couldn't steer after it was on fire, its control system shot out. After ejection I had about thirty seconds to make my last statement in freedom before I landed in the main street of a little village right ahead. And so help me, I whispered to myself: 'five years down there, at least. I'm leaving the world of technology and entering the world of Epictetus' "What Epictetus [told] his students was that there can be no such thing as being the 'victim' of another. You can only be a 'victim' of yourself. It'! s all how you discipline your mind."
The bravery displayed by our soldiers at war is commonly recognized. However, often forgotten is the courage required by veterans when they return home and suddenly face reintegration into their families, workplaces, and communities. Authored by three mental health professionals with many years of experience counseling veterans, Courage After Fire provides strategies and techniques for this challenging journey home.
Courage After Fire offers soldiers and their families a comprehensive guide to dealing with the all-too-common repercussions of combat duty, including posttraumatic stress symptoms, anxiety, depression, and substance abuse. It details state-of-the-art treatments for these difficulties and outlines specific ways to improve couple and family relationships. It also offers tips on areas such as rejoining the workforce and reconnecting with children.
Â"A crucial tool for the men and women who have b! een serving our country so VALIANTLY during these past years.â! €
†"Senator Bob Dole, from the foreword
Â"This extraordinary work will help the men and women returning from Iraq and Afghanistan find the COURAGE to rebuild their lives and be successful.†â€"Honorable Anthony J. Principi, Former Secretary of Veterans Affairs
A year after a devastating friendly fire incident during the Gulf War, Lt. Colonel Nathaniel Serling (Denzel Washington) is in a Washington, D.C., desk job assigned the rudimentary task of overseeing a Medal of Honor candidate who died in the war. However, the case and soldier in question are a political hot potato--Captain Karen Walden (Meg Ryan) is America's first female soldier to be killed in combat.
Serling soon finds discrepancies in the case of a downed Medevac helicopter in the rocky Kuwait territory. What unfolds in flashback are several versions of Walden's tactics (Ã la Kurosawa's Rashomon) to rescue the soldiers and survive the downing. As with Gl! ory, Director Edward Zwick's cast of unknown and famous faces always comes off as the real article. Walden's crew is especially convincing. Matt Damon as the medic comes off as the giddy scaredy-cat when telling his story to Washington. In battle he's a flawed, humorous soldier. The most surprising work in the movie is done by Lou Diamond Phillips (as the group's gunman), whose career had been headed to straight-to-video oblivion.
Then there's Ryan. She has done well with dramatic work in the past (When a Man Loves a Woman, Flesh and Bone) but has never been able to escape the romantic-comedy image. With dyed hair, a light accent, and the dramatics of the situation, Ryan finally has an enduring dramatic film. Even though she has half of Washington's screen time, her brave and ultimately haunting performance makes Courage something special, right down to its curious but rewarding final scene. --Doug ThomasWhen Lt. Colonel Nathaniel Serling ! (Denzel Washington) is asked to review the posthumous candidac! y of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.A year after a devastating friendly fire incident during the Gulf War, Lt. Colonel Nathaniel Serling (Denzel Washington) is in a Washington, D.C., desk job assigned the rudimentary task of overseeing a Medal of Honor candidate who died in the war. However, the case and soldier in question are a political hot potato--Captain Karen Walden (Meg Ryan) is America's first female soldier to be killed in combat.
Serling soon finds discrepancies in the case of a downed Medevac helicopter in the rocky Kuwait territory. What unfolds in flashback are several versions of Walden's tactics (Ã la Kurosawa's Rashomon) to rescue the soldiers and survive the downing. As wi! th Glory, Director Edward Zwick's cast of unknown and famous faces always comes off as the real article. Walden's crew is especially convincing. Matt Damon as the medic comes off as the giddy scaredy-cat when telling his story to Washington. In battle he's a flawed, humorous soldier. The most surprising work in the movie is done by Lou Diamond Phillips (as the group's gunman), whose career had been headed to straight-to-video oblivion.
Then there's Ryan. She has done well with dramatic work in the past (When a Man Loves a Woman, Flesh and Bone) but has never been able to escape the romantic-comedy image. With dyed hair, a light accent, and the dramatics of the situation, Ryan finally has an enduring dramatic film. Even though she has half of Washington's screen time, her brave and ultimately haunting performance makes Courage something special, right down to its curious but rewarding final scene. --Doug Thomas
“If it ! is necessary that I should fall on the battlefield for . . . ! my cour age does not halt or falter†â€" Major Sullivan Ballou, 1861, prior to the Battle of Bull Run
In Courage Under Fire, award-winning historian Wiley Sword captures the fervor of a nation at war with itself; a war that pitted brother against brother. Through the immediacy of diaries and letters written not only on the battlefields and in camps but also on the deathbeds of soldiers from both the North and South, Sword lays bare the complexities and depth of a soldier’s mind in coming to grips with life and death â€" even while his country, and often his family, is mercilessly ripped apart.
From wives and mothers to the highest military figures, all strived toward often worthy but difficult objectives, while seeking to suffer as little as possible. Featured in this compelling study of men and women facing the severest stress of their lives are fascinating stories such as that of Union Lieutenant Colonel Frank Curtiss. He was ordered to take his regi! ment, the 127th Illinois, in a hopeless charge against the enemy’s fortified lines at Atlanta, Ga. on August 3, 1864. Aware that many of his men would die needlessly and for minimal tactical gain, he refused to obey these orders. The moral courage to fight meant also to appropriately assess the risks and weigh the loss in lives of one’s soldiers. Confederate General John Bell Hood’s decision to sacrifice much of his army at Franklin, Tennessee on November 30th 1864, ranks as one of the saddest events of the war. His aggressive behavior is assessed in terms of both moral and physical courage, providing a revealing insight into the character of one of the war’s key commanders. The prospect of death in battle was a fearsome prospect for Lucy Morse, who kept desperate hope her husband, William H. Morse, would survive the fighting. She wrote to him,“I was almost crazy before I heard from you for fear that you had shared the fate of many a brave soldier.†Her story an! d that of the fateful events in their lives provides graphic e! vidence of the fiber of America’s soldiers and their worthy families.
In a revealing portrait of courage and its often bloody consequences, Wiley Sword conveys a vivid picture of bravery under extreme stress, which is fully appropriate in today’s world.
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